What a remarkable opportunity it is for me to be able to travel to Brisbane recently and witness the amazing retrospect exhibition of Gerhard Richter. The exhibition was held in Queensland Gallery of Modern Art in Brisbane’s cultural precinct on the South Bank area. It took the gallery 5 years to put this amazing exhibition together, with many artworks are personally loan from the artist’s own personal archive. Richter is known to be experimental with his work, but most known for his Abstract work and his ability to blur the line between a painting and a photograph.
One of the work that completely took me off guard is a black and grey painting of baby Richter and his Aunty. I personally decided not to took a photo of the work, our of respect to the tragic story behind the painting, as well as my selfish reason of wanting to keep the emotional affect the painting had on me to myself. Grey is Richter colour of choice that helped him detached to an emotional experience, aside from his brilliant colourful abstract, his monotone works are some of my personal favourite. Richter’s memento mori series of painting, like the one above called “Two Candle” on loan from Leeum Samsung Museum of Art, Seoul – South Korea, are personally, one of the most moving work.
Very grateful to have the opportunity to go and see Richter’s exhibition. The brilliance of his work can be seen in the above detailed photo from one of his Abstract work. Using a sponge, Richter would drag the colours across his canvas, using this technique Richter have created a unique texture to the end result. Considering his age, a sprite 85 years old of age, this exhibition may well be Richter’s last big international exhibition. So grateful is not enough to describe how I’m feeling, but I feel so enrich by the experience and wish many more people are able to experience this amazing exhibition too.
Gerhard Richter The Life of Images
Queensland Art Gallery of Modern Art (QAGOMA), Brisbane, Australia